By joenesgarden, 17 days ago

Landscape design styles – part 4

After a brief break from the landscape styles series to share Flowers surviving in dry, dry conditions for Garden Bloggers' Bloom Day, it's time to get back to the landscape styles discussion.

Japanese-style gardens offer views significantly different from the walled and/or geometrically designed Paradise and Formal gardens of ancient Egypt, Persia, and Roman and Islamic lands (discussed in part 1 of this series), and the pastoral, sweeping views established by the English Landscape Movement (part 2 of this series).

Japanese Gardens

Japanese Garden1DSC_2009_10662Like Paradise and English style gardens, climate and religion also heavily influenced gardens on the temperate-weather island of Japan. Japanese gardens highlight the simple, natural beauty of rock and stone, greens and moss, unpainted wood, and plant and flower structure set in a balanced and visually pleasing design.

During the 15th century, Zen Buddhists patterned dry meditation gardens of carefully placed boulders and rocks surrounded by evenly-raked gently-flowing patterns in tiny pebbles or sand - boulders to depict mountains or islands; pebbles or sand the ocean or flowing streams. Mosses, plants, shrubs, and trees, sculpted to represent other aspects of nature, often surround these dry gardens. The act of maintaining these areas and greenery became part of Zen Buddhists' contemplative meditation.

Japanese designs may also utilize simple to severe pruning to show off the structure of shrubs and trees; flowing streams or water fountains to provide soothing sounds; pools of water to reflect adjacent plantings; and singular flowers or flower types to encourage the eye to contemplate the unique beauty of each. Walking paths, benches, and bridges provide viewers access to multiple vantage points from which to reflect.

 

The Missouri Botanical Garden in St. Louis, aka MOBOT, offers a shining Japanese Garden example – from highly tended dry gardens as the one above to extensive pond/plantings as shown below.

Japanese Garden2DSC_2009_10663

This particular view of MOBOT's Japanese Garden shares many characteristics of English Landscape design – sweeping views, carefully planted trees and shrubs, a soothing pond – but, compared with the pastoral style of the Boston Public Garden pond, this pond clearly evokes an oriental feel through the zig-zag decking offset by inter-planted water grasses, thoughtfully placed boulders within the pond, and carefully pruned trees overhanging the water's edge. The structured and peaceful  dry garden offers a miniature reflection of wind-blown sand along a sea coast. Throughout MOBOT's Japanese Garden vantage points and well-placed benches entice one to stop and reflect on the simple beauty of the plants and hardscape used. Tip: early September visitors to the St. Louis area can visit MOBOT's Japanese Festival, September 4-6, 2010.

In contrast, a visit to the Missouri Botanical Garden will also guide visitors through highly formal gardens such as this Boxwood Garden …

Boxwood Garden10MO botanical pano1

… and Paradise-style gardens like the Ottoman Garden (left) and the walled garden tucked into MOBOT's Climatron geodesic dome.

Ottoman Garden1DSC_2009_10597               Walled Paradise inside Pavillion1DSC_2009_10676

Historical aspects in modern gardens

Paradise, English landscape, and Japanese garden styles, analyzed individually, appear very different. But each follows concepts of visual balance and repetition in topography, hardscape, and plantings – concepts evident in all beautiful gardens. Contemporary gardens still seek to suit their owner's/creator's visions and needs, and the availability of water in most industrialized nations allows this. Modern gardens can strictly follow any one of the above designs or contain tidbits of each.

Consider the design options for an herb garden. A formal herb garden, built in quadrants around a structured central plant or sundial, mimics a Paradise garden plan. One designed in the style of a French kitchen garden, with geometrically planted beds and structured central and perpendicular walking paths, models the gardens of Versailles but in smaller scale.

An herb garden set along a natural slope or rock outcropping, so it enhances but does not block the natural view, mirrors more of the naturalistic-looking, curvaceous English landscape concept. And one set amongst boulders, carefully placed in a sequence of smaller, larger, moderate sizes and smooth or triangular shapes to mimic a mountain range in miniature, then sparingly planted with herbs carefully pruned to shapes indicative of larger trees and shrubs, could more closely represent Japanese design.

Modern gardens often achieve pleasing design using bits and pieces of each of these major landscape influences. But homeowners drawn exclusively to one of these design styles should take care not to ignore the style of their house when styling their gardens. Not far from where I live is a lovely Victorian-era farmhouse sans the typical Victorian ornamentation – more of a simple New England style two-story farmhouse complete with a large, well-kept barn off to one side. Surrounding the house is an equally lovely, well maintained garden of multiple conifers, all carefully pruned to hold their shapes. The garden, which covers the front and side yard toward the barn, has gently curving paths and the ground throughout is covered by pebble mulch in a sand-colored hue that matches the color of the house. Though both the house and the gardens are very well maintained, I feel discord each time I drive by. The house and the gardens don't fit. The gardens aspire to Japanese style but the house and barn do not.  The white board fencing that parallels the adjacent road matches the style of the house, but nothing about the property fits the Japanese style plant arrangement, and I find myself wishing the garden designer had left a buffer strip of garden along the road that more closely reflected the New England style of the house. They could have 'gone Japanese' in the more private - not visible to passers-by - spaces. (I'm choosing not to take an illustrative photo so as not to hurt another's feelings.)

To achieve true harmony in modern design, gardeners and garden designers must thoughtfully and carefully blend their garden style to its surroundings. Do you know of garden/house combos that are lovely individually but don't work together – how do they not work?

A special thanks to my favorite photographer, who supplied all the photos of Missouri Botanical Gardens used here.

By joenesgarden, 19 days ago

Flowers surviving in dry, dry conditions

My August 2010 gardens are parched in spite of regular watering. Still, on this Garden Bloggers' Bloom Day there's color to be found in my south central Connecticut gardens.

Cosmos and Grandpa Ott morning glories (ipomea) revisit every year.

cosmos      Ipomea Grandpa Otts

Echinacea and anemone are August stand-bys.

echinacea      anemone

Zinnia angustifolia dance with lavender and coleus.

zinnia angustifolia      zinnia angustifolia and coleus

Browsing deer have finally left perennial sweet peas to bloom and a bee shows his hind end while engrossed in a pumpkin blossom.

perennial sweet pea      pumpkin blossom

Tomatoes, peppers, cucumber, eggplant, and beans are calling for harvest and even our lack of rain doesn't keep raspberries from promising a prolific late summer crop.

A look back to August 2009 shows more in bloom last year in my gardens. This year the double lilies are scorched from the heat and done blooming, phlox are looking tired, and Endless Summer hydrangea long ago declared an end to their fresh blue blooms by turning shades of purple and green.

And in looking back I found the subject of my next GOOPs – Gardening Oops – post. Visit again on September 1 to read the next in my series of GOOPs. As a long-term gardener I'm not afraid to admit my faux pas or to share them with you. If you're up to admitting one of your gardening mis-steps, come back September 1 to share it with me and fellow GOOPs posters.

Now, however, head to May Dreams Gardens for more delicious photos of gardens in bloom this Garden Bloggers' Bloom Day.

By joenesgarden, 23 days ago

Landscape design styles – Part 3

To illustrate aspects of Paradise/Formal landscape styles and the more pastoral English landscape style – subjects of my two previous posts - let's visit Boston Public Garden as it appeared in May 2010. These 24 acres – a salt marsh until 1837 – along with Boston Common (created in 1634), form the northern end of Boston's Emerald Necklace, a string of greenways designed by Frederick Law Olmsted.

The Public Garden follows a Victorian style that encompasses characteristics of formal (evolved from Paradise garden-style) and pastoral (English landscape-style) design.

One enters the garden on wide walkways, lined with formal beds of seasonal blooms, that lead to and guide visitors around statues, a rose garden, and strictly pruned shrubbery.

Boston Public Garden1

The tulips in the neatly edged, rectangular bed at the foreground of the photos above and below would be replaced by other seasonal blooms, while the alliums (photo below), in another neatly-edged bed, were just beginning to open.

Boston Public Garden3

The gumdrop-pruned shrub (very formal) hides the base of the statue – in spite of what you see George Washington and his horse are not resting atop the shrub.

Boston Public Garden2

The main walkway (top photo) follows a strait, formal path from feature to feature, but the side pathways meander in gentle curves and urge walkers to casually wander while enjoying the blooming flowers. The occasional bench entices one to sit a spell to further soak in the views.

Boston Public Garden4

A formal rose garden is planted around a topiary shrub. A closely clipped hedge surrounds the entire bed – again very formal.

Yet, tucked amongst all the formality sits a large, shallow pond surrounded by groves of shade trees – a perfect place to stop and rest or enjoy a picnic lunch.

Boston Public Garden6

Meandering paths guide walkers along the edges of the pond where they can rest in sun or shade, enjoy the ducks, or relax on a leisurely Swan boat tour.

Boston Public Garden5 

Similar to the view of Stourhead in my previous post, a bridge enables walkers to enjoy the Public Garden pond from above. Notice the sweeping curves of the pond edges – most definitely a characteristic of the English Landscape movement.

Boston Public Garden10

Gently curving pathways also guide visitors to stroll under the shade of less formally clipped trees …

Boston Public Garden7

… where one can venture underneath to marvel at the tree's structure.

Boston Public Garden9

As with many public and private gardens, Boston Public Garden blends characteristics of formal design styles that originated from Paradise Gardens and the pastoral aspects of English landscape design – all in an effort to give visitors opportunities to soak up soothing sensations of green surroundings.

Part 4 of this series briefly covers Japanese design and how hints of all three styles – Paradise/Formal, English Landscape/pastoral, and Japanese design – can be identified in modern gardens.

By joenesgarden, 27 days ago

Landscape design styles – part 2

The geometric, highly organized, and formal-looking Paradise garden style (see previous post) dominated garden design for centuries. Then the Brits revolted.

The English Landscape Movement

In stark response to Paradise garden styles, the 1700's English Landscape movement sought to create the natural, curving views of open fields, lakes, and woodlands depicted in landscape paintings and as guided by Alexander Pope's (1688-1744) belief that all gardening is landscape painting. With no need to accommodate irrigation, England's temperate climate and ample rainfall allowed landscape design to follow a less manipulated look. Geometrically structured planting patterns, gave way to meandering paths through naturalistic meadows and fields, over and around gently sloping hills, and leading to and alongside bodies of water that reflected the sky and adjacent scenery.

English Landscape movement leaders - Charles Bridgeman, William Kent, and Lancelot 'Capability' Brown, who saw his role as a fixer of nature's mistakes - vastly manipulated topography to achieve their vision of a pastoral landscape from which man could contemplate philosophical and political ideas. In doing so they created landscapes no less manipulated than the structured, formal garden style they sought to undo.

The grounds of Stourhead between Wiltshire and Somerset, England, «is perhaps the most complete and elaborate example of the eighteenth-century English landscape style,» notes Russell Page in The Education of a Gardener (page 189). Created in the mid-1700's, Stourhead's design required damming a valley and creating earthen berms to form a lake, planting groves of trees, and constructing paths to and from columned, temple-like structures and in and around the water and trees. Page recalls the original plan «of water and hanging beechwoods and quiet dark green shrubberies … enlivened by a series of architectural incidents,» brought «coherence, dignity, scale, charm and tranquility.»

File:Stourhead garden.jpg Photo credit: http://commons.wikimedia.org/wiki/File:Stourhead_garden.jpg

It would be interesting to do a study just on Russell Page – see images of his designs – but that's off the current track. There is no denying that Stourhead is beautiful and calming, as are other English Landscape designs. But what struck me most was the extent of deconstruction/reconstruction. undertaken to obtain the final effect – and so many of these creations were on private estates. Want a lake in the design? Just damn a valley.

I tend to think more along the idea of enhancing the natural setting of a site so human impact blends into, rather than overpowers, nature's design … maybe this is splitting hairs. Olmstead's designs for Central Park in NYC and the Emerald Necklace in Boston both fixed nature's mistakes and enhanced natural settings. The residents of both cities continue to benefit from these designs, but these are major park projects that enhanced quality of life for millions of people – they are not private properties redesigned for the enjoyment of a select few. Private properties, I think, do better by embracing nature's design rather than forcing the land to become something out of context with it's surroundings.

By joenesgarden, 30 days ago

Landscape design styles – part 1

One of my recently completed landscape design lessons required researching three major landscape styles and submitting a report on my findings and how each style - Paradise Gardens, the English Landscape Movement, and Japanese Gardens - impacts modern garden design.

We often don't think where design ideas originate. We may copy aspects of other gardens seen in books, magazines, or in person, but where did the inspiration for these gardens come from?  We may inherently know certain sites better avail themselves to geometrically planned garden beds while other sites call for less formal and more curvaceous lines … and we all recognize sites of visual discord, but outside of ingrained creativity where does the gut sense that one design works while another does not come from?  What's the history behind what we do as modern gardeners?

Here's an excerpt from the first part of my report. It briefly covers Paradise Gardens.

Modern garden design draws on gardening styles developed over centuries. People from multiple geographical regions sculpted landscapes to fit their needs, desires, and beliefs. Contemporary garden designs utilize aspects of three major historical landscape styles. Each style reflects how humans of certain periods shaped the terrain on which they lived into varied forms and functions.

The peoples of arid regions developed gardening methods that tapped into local water supplies and protected precious food crops from the harsh climate. Drawings from ancient Egyptian tombs as old as 3000 B.C. depict walled, symmetrically planted gardens irrigated with redirected waters from nearby rivers and streams. Hand excavated canals delivered water to areas previously unable to grow vegetation. The combination of walled structure and availability of water gave rise to the planting of groves of trees, the creation of fish filled pools, and garden areas in which to grow food crops.

Paradise Gardens

clip_image002Gardens in the «Paradise» style have a central focus from which other aspects flow outward. In Persia (300 – 500 B.C.) these gardens were typically quadripartite with a central fountain or pool of water – or Fountain of Life - from which four «rivers» flowed. The term Paradise likely comes from ancient Persian words pairi and daeza meaning around and wall. Persians built walls to enclose their plantings and as protection from the harsh, arid climate and predators. Within the walls they grew scented flowers with religious significance and fresh fruits for sustenance. The gardens afforded people protection, shade, and areas for quiet thought.

Persians were not the first or only people to develop and follow this garden style. Walled, symmetrically-planted gardens irrigated with water from nearby sources are historically evident in multiple arid regions. Drawings from ancient Egyptian tombs as old as 3000 B.C. depict such gardens fed by hand excavated canals to transport water from the Nile River. Gardens of the Bible and Quran followed similar design – a central object from which waters flow and sectioned-off planting areas for edible, medicinal, and religiously significant plants.

Gardens were mans' oases or Garden of Eden, feeding both body and soul. Islamic conquests helped spread the concept that heaven is a garden, but each culture that modeled enclosed, geometrically-planted garden areas fashioned them according to their own geography, needs, and beliefs.

Afghan's customized Paradise gardens with raised platforms that seemingly floated above water sources and the plantings below. The Romans and Turks expanded the walled garden concept to encompass entire cities from which leaders could live, entertain, and rule while safely surrounded by all things beautiful.

The Gardens of Pompeii, excavated from beneath the volcanic ash of Vesuvius (79 AD), reveal walled rectangular courtyards, covered walkways, underground cisterns for water collection, ornamental pools, outside dining, trellises, and pergolas. Roman-influenced gardens in Spain tapped irrigated water into sunlit reflecting pools to cool and brighten adjacent interior rooms.

Gardens based on geometrically planned quadrants became the foundation for formal European gardens, as massively illustrated at Versailles. There, in the mid 1600's, France's Louis the 14th had an entire town and valley re-constructed into acres and acres of formal gardens expanding out from a grand canal via multiple intersecting avenues and paths, many lined or enclosed by walls of manicured greenery and highlighted by reflecting pools.

Think of what in your gardens reflect aspects of Paradise Gardens - symmetrical beds, a central fountain, bird bath, or pool; is your garden your Paradise; do you plant edible crops in visually pleasing designs; do you plant certain vegetation because of its meaning or religious significance?

The next segment of this four part series on landscape design styles will reflect on the English Landscape movement. Part 3 will cover Japanese gardens, and part 4 will bring these historical styles into modern gardens. Stay tuned.

Want to learn more? Check the local library for Landscape Design: A Cultural and Architectural History by Elizabeth Barlow Rogers or Paradise on Earth: The Gardens of Western Europe by Gabrielle van Zuylen.

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